What does it mean to foster a mindful dance practice?
Mindfulness Is Good For You
Being mindful, according to experts in the field, is the act of noticing your feelings, environment, and physical sensations without judgement. It is the opposite of what we might call “checking out” or being on “auto-pilot.” Being mindful means ignoring our Ego and our “Monkey Mind.” And even though it has roots in Buddhist meditation and philosophy, it can be quite secular.
Some of the most powerful business leaders are investing millions of dollars on mindfulness workshops and retreats for their employees. Marc Benioff of the San Francisco-based company Salesforce famously consulted with Vietnamese Zen monks to improve employee well-being, and Google’s “Search Inside Yourself” program has a 6-month long wait list.
A number of scientific studies have shown that people who practice mindfulness meditation are less likely to have a wide range of illnesses, from heart disease to depression. Those who exhibit trait mindfulness—that is, those who make mindfulness an inherent habit rather than just a deliberate practice—are even healthier.
Mindfulness also has a profound positive impact on our interpersonal relations, allowing us to observe our emotions and the emotions of others before reacting. It can even reduce implicit age and race bias. Whoa.
Dancers Are Already Mindful…
Dancers by nature practice a kind of mindfulness when we go to class. When we integrate new movements into our bodies, we must be aware of the present, listening to our bodies, observing our instructor… hopefully without judgement.
When a class is just challenging enough, we are forced to be present if we want to physicalize what is expected of us. Maybe it means remembering a full combination or doing a difficult technical element. We can’t mentally check-out if we are to integrate these movements into our bodies.
When it comes to mindfulness, dancers have a leg up. (Pun alert.) Afterall, dance technique is really just fancy habits, and habits are what we do without thinking.
…But Sometimes Not Enough
But what about those movements that we know? What about that repetitive drill that we’ve done a bazillion times or that choreography we’ve been running for five years? You know… those exercises that when your teacher asks you to do them, you might go, “But I know this already!”
It’s super easy to go through the motions and take a mindless approach to these elements of our dance practice, letting our bodies take the lead.
We dancers often rely heavily on “muscle memory” to get us through a rehearsal or performance. It can be easy to let our body do the work, and it should. There is a certain amount of automaticity that must happen in our bodies for us to do our job. But sometimes that doesn’t always mean transcendent mind-body connection. A recent study compared practitioners of Vipassana meditation with a sample of dancers, and found the meditators had a greater integration of mind and body.
I’m sure you’ve noticed when a dancer is not being mindful in class or rehearsal. Maybe there’s that one who doesn’t know how long their arms are and keeps running into you. Or maybe there’s a fellow company member who keeps making the same mistake over and over again. Or that one who just doesn’t integrate a doable correction, no matter how many times the instructor or director reminds them.
These dancers could benefit from taking a moment to reflect and observe their bodies.
Chances are that if you noticed these mistakes, you made a judgement call on them. Maybe a little mindfulness could help you, too!
Dance is Always New, Even When It Feels Old
Every day we step into the studio or on the stage, we must take a moment to take account of our bodies. Every day is different. Weather, hormones, a bad day at work, a fight with our significant other can all affect our movements.
When we give ourselves a moment to acknowledge those changes, and, most importantly, accept them, our time in class and rehearsal can be more productive and more positive.
A mindful dance practice also allows us to find the newness in material that might no longer interest us or challenge us. Every dance form has those movements and techniques that we must do over and over again, whether it be a part of our warm-ups or performance. But as performers, we cannot afford to get bored, because our audiences will feel that lack of engagement. They’ll know that we’ve checked out and let rote muscle memory do the heavy lifting.
And as a dance teacher, I can tell when my students are checking out. And I can tell you that it sometimes gives the impression that they don’t care about the work. Ouch.
Small Ways to Be More Mindful While Dancing
Many dance classes have repetitive warm ups, or at least movements that repeat every time. Instead of just going through the motions, observe yourself as you do these exercises. Are you putting your full attention into them, or is your mind wandering? If it wanders, breathe, and focus on the intent of the exercise.
Personally, I like to focus on different body connections as I dance. What is the relationship between my fingers and my toes? The crown of my head and my sacrum? My right and left halves? What about your facing in the room? Taking account of how these shift as I move gives my Monkey Mind more than enough to chew on, allowing my more active thinking to focus on the task at hand.
The next time you learn a combination or new dance, how can you best be mindful not only of your own body but the space around you? Maybe you are that dancer with the long arms who runs into fellow students. Notice when this happens, and observe how much space you need without popping someone else’s space bubble.
At the end of class or rehearsal, take note of how you feel. Were you happy with yourself or frustrated? Did the teacher give you feedback? Did a fellow student’s behavior affect you? How did it make you feel? Do you think you did well? Reflect, but don’t judge.
I feel that I’m just beginning to integrate mindfulness into my dance and teaching practice. Is this something you do, either as a teacher or student? Tell us in the comments!
4 Responses
I love mindfulness. Structured meditation is a great tool for reducing chronic anxiety or pain among other fabulous benefits. It has played out for me in that I have always believed (for my 43 years as a dancer) that it was very important to always do the very best that I possibly can. Whether it is the last practice of the rehearsal or the last repetition of a choreography or the very last moment of the class. Being the very best that you can be is exhilarating. Yet I often found while teaching or directing rehearsals that few others felt the same way. Most of us slack off when we are tired. That is actually the key time to do the opposite. Make that last tired and sore and impatient attempt the very best and you will always do well.
Yes, I agree! And I certainly notice that when my fellow dancers (and me too!) are tired, we aren’t mindful. We just go through class and rehearsals on autopilot. It’s definitely key to make time to rest and recuperate so that we can make the most of our time in the studio. 🙂
Belly Dance is a moving meditation to me. If a person is truly paying attention and immersing themselves in the sensations of the movement reps it is never boring. A mindful mind is listening, watching, curious and exploring, alert and awake but restful at the same time. In yoga it’s called effortless effort and it’s something I am always striving for in any movement or art discipline. Practice in this way always makes it full and interesting with discovery. This is a great Belly Dance topic for blogs and discussion!
I’m catching up on my replies! Thank you for your comment… the more I learn about mindfulness and meditation the more I feel like it could be the superpower we can all have to change the world for the better. I’ll see what else I can find about dance, mindfulness, and the mind-body connection. 😀