Over the years, I’ve collected quite a lot of music that crosses the lines between traditional and electronica. I first heard Arabic music when I was in high school (maybe earlier), and I’ve always had a soft spot in my heart for cultural mashups. As a dancer who straddles the space between North American and Middle Eastern, it’s only fitting that I would have a music collection that reflects the same. Although, I was building my music collection with artists such as Aisha Kandisha’s Jarring Effects, Loop Guru, and Banco De Gaia long before I took my first belly dance class.
So, I’ve decided to craft some mixes for you, sharing some deep cuts from my music collection. These mixes feature artists from the Middle East as well as those who aren’t, but who have used Middle Eastern instrumentation in their work. Some of these artists work in this hybrid space regularly, such as Filastine or Smadj, while others might only use a doumbek (or nay, mizmar, or ‘ud) in one track, such as Hecq or Hal. Some works are controversial, and some have been removed from re-releases. I feature Middle Eastern artists back to back with European and North American ones, highlighting our sonic similarities as well as our aesthetic and experiential differences.
I must also say that these songs are not necessarily ones I would dance to, although some I have. Some have lyrics that I have yet to find translations for, and others contain samples that some might find offensive. I’ve curated these mixes as aural collections, blending textures together to create soundscapes that flow from one to the next. You might find a track or two in here that makes you want to move, but tread lightly and be conscientious about your performance choices.
I hope that these mixes are a launching point for investigation, appreciation, and discovery.